Saturday, October 29, 2011

Thoughts on the new Avett Brothers song "The Once and Future Carpenter"


"'The Once and Future Carpenter' is a song that we've been working on for awhile, and we're very excited about it because we feel like we need to present a current example of where we are, who we are. It's not really acceptable to only present who we've been." -Seth Avett

I have to say that I wasn't sure what to expect when The Avett Brothers debuted their new song "The Once and Future Carpenter" on CMT a few months ago. After the stylistic changes they made on their last album, I and Love and You, and to a certain degree Emotionalism before that, there seemed many directions they could follow. Though I and Love and You certainly widened their fanbase, it also divided many Avett devotees who've followed the band from the beginning, and also those who discovered them with the release of Emotionalism and went back and bought their entire catalog. Too overproduced, too clean, too poppy, too much piano. I can empathize with those who feel this way, and there is a validity to their critiques.

But for as much as I love the banjo, and for as much as I love the raucous and raw energy of their live shows, with the Avetts it's always been about the songs for me. And Scott and Seth Avett, I believe, are two of the finest living songwriters making music today. After listening to I and Love and You many times over the last couple years, it's easy to see that great songs are still what drive this band, songs ripe with heart, authenticity, truth, and the ability to connect with people in ways that a good majority of songs are simply incapable of. I can say today without hesitation that I do indeed love I and Love and You. And "The Once and Future Carpenter" is not only a logical step forward, but one of the most well-written songs they have ever created.

The song starts off with Seth Avett picking his acoustic guitar while brother Scott comes singing lyrics to the beginning of a story about a rambler, a "poet young and hungry" who hits the road in search of a way of life that will satisfy his soul. Being a story song, it's a throwback to old country music in it's execution, and the Avetts revive that style with just enough modern sensibility to make it fresh again.

It's hard for me to describe how much these lyrics resonate with me because so many of their songs have, and strangely, with "Carpenter" it took a few listens for its resonance to shine through. Upon first listen, it's a deceptively simple and straightforward tune, but allow the song's earnestness and creative metaphors to sink in and a depth is revealed that is at once rewarding and inspiring. I could post the whole song as an example but that would be boring, so I'll just comment on a few favorite parts.

Though he "ain't from Texas," the carpenter/narrator departs Dallas at the beginning of the song, aware of the "lonesome sound" that's chasing him; then he states:

I ain't a gambler but I can recognize a hand
and when to hold when queens are staring back at me


God, I love this line. Two meanings strike me with the lyric, the first being that the carpenter knows when the right time is to take a chance, to leave his home and in the tradition of Huckleberry Finn, "light out for the territory." He may not have been much of a risk taker in the past, but he can recognize when the time is right to break new ground. The second meaning emerged after a few listens and completely took me by surprise. At the root of the narrator's journey to find meaning in life is his quest for love. The "queens" are the women he meets on the road, women who offer hands of comfort to hold, some perhaps only for a night; but also that one woman who offers the possibility of love not only for the night but for life. A theme throughout much of the Avetts' music is that women can be baffling, but the love of a good woman and loving a good woman is unlike anything else in the world. (Not always smooth-sailing of course, but that's for another write-up!) It's that true, lasting love that's not easy to find; that lasting love that the carpenter is ultimately seeking, love that can drown out the "lonesome sound."

If I live the life I'm given, I won't be scared to die

This simple statement comes at the end of a chorus that testifies to the ups and downs, the sacrifices and celebrations, that will always be a part of life. But the important thing is to be grateful for a new day, even a new moment. Trials and suffering in life are a sure thing, and once you surrender to that fact and try to live a life of simple gratitude, satisfaction comes in. You can never "suck out all the marrow of life," as Thoreau would say, if you're too worried about past or future failures, or if you're always looking for someone to blame for your troubles. The Avetts a mighty punch with such a simple statement.

And my life is but a coin, it's pulled from an empty pocket
It's dropped into a slot with dreams of sevens close behind
And these hopes and these fears go with it, and the moon and the sun go spinning
Like the numbers and fruits before our eyes


Has there ever been a verse that says more about the randomness of life than this? It's such a subtle and simple metaphor that I didn't get it at first. It builds upon the theme of the ways risk and chance play into the carpenter's life, and by extension the listener's. He's become a permanent traveler -- sometimes weary, sometimes lucky, always hoping and dreaming to find the things in this life that will bring him satisfaction and true joy. His life, though, will never be easy even when he does find those things. All he can do is live day by day because the world isn't stopping for him or anybody. The journey itself and the willingness to not give up is what will make him, and ultimately bring fulfillment, though the road will be covered with, perhaps in equal measure, many blessings and many disappointments. This is stated in the simple bridge of the song as Scott and Seth harmonize and the song gets a little louder and more defiant:

Sometimes I hit, sometimes it robs me blind

In the live version they did for CMT, Scott lets out an emphatic "Yea!" after they sing this line for the first time, testifying to its truth in the brothers' own lives and in the lives of those people whom their music speaks to so profoundly. It's a great musical moment.

Lastly, I want to mention something about the title of the song, "The Once and Future Carpenter." There are many ways I take its meaning. One is that the carpenter lives his life looking backward and forward, not with trembling worry or self-doubt, but almost with reverence; he looks back at his past to learn from it and realize that it made him who he is today, and looks to the future with all those things he's learned plus the hope of all he still could be. All he can do is try -- work hard and keep going. The second meaning is that maybe the road the once-carpenter-now-poet-young-and-hungry is on is one that will -- as so often happens, it seems -- take him back to where he started, somewhere he's laid down at least a few roots, whether that be Texas or his original home. Life sometimes has a way of leading us back to the places we know and are known best. So it would seem the narrator still has some work to do with his hands yet -- whether it be with a hammer or a pen.

But no matter where he finds himself, he will always be a traveler in this life. As will we all.


And here are the complete lyrics, just because I feel like typing them out:

I ain't from Texas but I made my way from Dallas
and I know the lonesome sound is following.
And I ain't a gambler but I can recognize a hand
and when to hold when queens are staring back at me.

Once I was a carpenter and man my hands were calloused,
I could swing a metal mallet sure and straight.
But I took to the highway, a poet young and hungry,
and I left the timbers rotting where they lay

Chorus:
Forever I will move like the world that turns beneath me
and when I lose my direction I'll look up to the sky.
And when the black cloak/dress drags upon the ground,
I'll be ready to surrender and remember
We're all in this together
If I live the life I'm given, I won't be scared to die

And I don't come from Detroit but her diesel motors pulled me
and I followed 'til I finally lost my way
Now I spend my days in search of a woman I call purpose
and if I ever pass back through her town I'd stay

Chorus

My life is but a coin, it's pulled from an empty pocket,
it's dropped into a slot with dreams of sevens close behind
And these hopes and these fears go with it and the sun and the moon go spinning
Like the numbers and the fruits before our eyes

Sometimes I hit, sometimes it robs me blind
Sometimes I hit, sometimes it robs me blind

Chorus


If this is the direction The Avett Brothers are heading, consider me along for the ride.

Monday, December 27, 2010

Favorite Songs of 2010



"Fallin' For You" - Dierks Bentley - Great melody, lyrics, and a fantastic beat that chugs right along with a quiet intensity.  If you don't like the fiddle, this could be the song to change your mind.

"Hangman" - Cadillac Sky - An inspiring song with defiant lyrics that vow not to let people, life, the devil, etc. get you down.  Essentially a song about following and doing what you're passionate about, doubts be damned.   "Ain't no hangman gonna get a rope around me"

"Missing You Is More Than I Can Do" - Randy Rogers Band - Fantastic melody, fun take on a classic country theme.  "Don't take this wrong because I know you belong out there on that stage / But I swear if my life was an open book it would be missing a page"

"Coffee and Cigarettes" - Jimmy Eat World - This song makes me think of college for some reason.  Not sure I could have survived without either one.  Anthemic, like most of their tunes.  "Been a lot of places since / but nothing else compares / To easy times and easy eyes / to meet you in a stare"

"Macon" - Jamey Johnson - Was released as a single but failed to do much on the charts.  Just a fun song 'bout gettin' back home to yo' woman.  "Gotta get back to Macon / love all night"

"Roll With It" - Easton Corbin - This song hit number one on the country singles chart.  It's a great feel-good summer song.  And it's actually country.  Good stuff.

"Eyes Wide Open" - Jars of Clay (featuring Derek Webb and Mac Powell) - Catchy tune with a great message and handclap percussion, with which you can never go wrong.  "So God bruise these heels we've dug in the ground / that we might move closer to love / Pull out the roots we've dug in so deep / Finish what you've started / Help us to believe"

"She Won't Be Lonely Long" - Clay Walker - Hit Top 5 on the charts.  Walker's had some classics, but this may have eclipsed them all as my favorite.  It's just a great song and Walker sings the hell out of it.  "Heaven help the fool who did her wrong"

"For the Summer" - Ray Lamontagne & the Pariah Dogs - Certainly one of the best voices in any genre of music.  This is a beautiful song about coming home after being on the road, and it has spot-on production (dig the country-soul vibe).  "Can I come home for the summer? / I could slow down for a little while"

"After the Scene Dies" - Drive-By Truckers - A haunting ode to bars and venues that are getting shut down for lack of support or corporate/government greed, but more generally about doing and working hard at what you enjoy.  "When the frontman turns to Jesus and the drummer moves away / I'll still be doing what pleases me / After the scene dies"

"Pretty Good At Drinking Beer"  - Billy Currington - Fun song about the glories (or in-glories?) of imbibing.  Currington's getting pretty good at laid-back songs like this, and I, for one, enjoy them quite a bit. 

"Knee Deep" - Zac Brown Band (featuring Jimmy Bufett) - The most talented band played on country radio (their Pass the Jar DVD shows all members to be impeccable musicians).  This one has some nice guitar picking and follows in that age-old American tradition of escapism.  I wore this one out in Maui.  "I'm knee deep in the water somewhere / Got the blue sky breeze blowing wind through my hair / Only worry in the world / Is the tide gonna reach my chair"

"Little Lion Man" - Mumford & Sons - This song has nearly 15 million views on Youtube and a good number of them are from me.  I stumbled on it out of the blue one day and was immediately taken by the banjo lick throughout and the great chorus.  Certainly one of the best of the year.

"If I Die Young" - The Band Perry - It wouldn't surprise if the rest of the songs on this band's album are terrible country-pop, but it also wouldn't surprise me of there were more songs like this.  It's got a pleasant melody, fairly poetic lyrics by country radio standards, and fantastic production that includes a mandolin, banjo, fiddle, and steel guitar. 

"F**k You" - Cee Lo Green - There's just no denying this song.  It sounds like Al Green singing a love-gone-wrong movie written by Quentin Tarantino.  Hilarious, and actually pretty easy to relate to.

"In God's Country" - Infamous Stringdusters - An absolutely killer version of a well-known U2 song.  I like this one better than Dierks and Co.'s cover of "Pride."  Of course, there would be no song without U2's source material, but I'll go as far as to say I like this even better than their original.  The Stringdusters truly make it their own.

Thursday, December 23, 2010

My Favorite Albums of 2010

Disclaimer:  I don't get to listen to everything that comes out, just stuff I know I want to buy/can afford.  I will confess a love (some would say bias) for anything country-tinged or that contains a banjo.  If I were a music critic and got tons of CDs for free this list could be a lot larger and much different.  Then again, I love these albums so much it wouldn't surprise me if it stayed exactly the same.  
 
Top 4:

4) Letters in the Deep - Cadillac Sky
Produced by Dan Auerbach, guitarist of The Black Keys, I liked this album so much simply because it introduced me to a great modern bluegrass band with some solid music already under their belt. After listening to their previous two albums, Blind Man Walking and Gravity Is Our Enemy, which are filled with great songs, it's easy to see Letters is a step in a different, though not all that different, direction. The production is much more gritty and raw, which is to be expected with Auerbach, and lends itself to an almost old school Avett Brothers sound. The harmonies are reminiscent of the best in bluegrass but also of Fleet Foxes on a couple tunes, especially "Trash Bag."  Coming off the heels of a tour opening for Mumford & Sons and with the recent departure of lead singer Bryan Simpson, it'll be interesting to see what this band does next.




 3) Burning the Day - Randy Rogers Band
The first song I heard by this band was "In My Arms Instead" from their self-titled album and I've been hooked ever since.  If there's another band that can mix country and rock that appeals to the mainstream music fan while maintaining artistic integrity better than this, I don't know of it.  Rogers' gravelly voice stands out, and he's able to wrap it around the emotional truth of any song, whether it be heartbreak or humor.  He also turns some of the best and most unexpected vocal phrases I've heard.  What this band does best, however, is write damn good songs.  I'll be listening to this one in the car, windows down, for many summers to come.




2) The Big To-Do - Drive-By Truckers
DBT is probably my favorite band right now.  Crunchy guitars, catchy riffs, great songwriting, dark stories about the South; what more could a guy ask for?  This album had to grow on me, as I was a huge fan of their previous album, the epic 19-song Brighter Than Creation's Dark, which I'd discovered not more than a few months before this was released.  Whereas Creation's contained Mike Cooley's best songs, I believe To-Do contains Patterson Hood's best: "Daddy Learned To Fly," "Drag the Lake Charlie," (try getting that riff out of your head) and "After the Scene Dies" to name three.  Let There Be Rock.




1) Up On The Ridge - Dierks Bentley
I've worn the hell out of this recording.  It's a well-crafted, excellently produced, blast of an album.  You've got everything from straight up bluegrass (the rollicking "Rovin' Gambler" featuring Chris Thile and the Punch Brothers) to unexpected covers (a reverent take on "Pride" by U2 featuring the wail of Del McCoury) to songs about miners, a profession deeply interconnected with country and bluegrass music (the beautiful "Down in the Mine").  It's a shame that country radio won't (or at least hasn't yet) played any of the singles enough to climb into the top 20.  It says a lot about the powers that be at country radio when they won't play one of their consistent chart-toppers simply because he's decided to do things a little different.  Regardless, it's comforting to know that at least there are some artists who've tasted massive mainstream success who are willing to be true to themselves and not constantly cater to the money-grubbing that has become the status quo around them.  As a side note, this album contains what is probably my favorite lyric of the year in "Fallin' For You": "Well your blood is red but your soul is black / don't believe I'm a-comin' back / And now I know why the willows weep / the tide is high and the water's deep."


Albums I like from the last year that I didn't really listen to enough to call "favorites":


Sigh No More - Mumford & Sons (love most of the songs and heart-on-your sleeve lyrics, but some of the songs start running together)
The Guitar Song - Jamey Johnson (25 song long double album - damn, that's a lot)
Invented - Jimmy Eat World (every album this band produces is sonically brilliant)
Things That Fly - Infamous Stringdusters (bluegrass is going in exciting directions if these guys have any say about it)

Sunday, December 19, 2010

2nd Welcome


I'm not very good at this blogging thing.  I deleted my first "Welcome" blog that I wrote....in September.  Here's hoping that I can start being at least a little consistent.

I mostly want to start a blog so I'll have an excuse to write.  An English major, I haven't written much of anything at all since I graduated in May of 2009, which is truly sad.  I think school just burned me out.  And I am lazy.  "Write.  Just sit down at do it."  That's the how-to advice good writers give to would-be writers.  It's advice I often fail to heed.

I'll write mostly about things that interest me.  (Novel idea, right?)   Music, movies, books, religion;  I've got opinions about them all.  I may also share a little of my fiction and poetry (old and, God willing, new).

In the spirit of another year gone by, my next post will be music-related:  favorite albums, songs, and singles of 2010.  So stay tuned, and thanks for reading.